Robert Scott Näyttelijä
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Yleiskatsaus
KansalaisuusYhdysvallat, Chile, Panama
Kieletespanja (äidinkieli), englanti (sujuvasti), englanti - amerikkalainen (sujuvasti), englanti - brittiläinen (perusteet), italia (perusteet), saksa (perusteet)
Syntynyt1982, Panama, Panama
Kameraikä37 - 47
Piitus185 cm
Etniset tyypitLatino / Hispanilainen, Monietninen
AsuinpaikkaBerlin - Berliini (Saksa), Florida (Yhdysvallat), Berlin - Berliini (Saksa)
AsumismahdollisuudetSantiago (Chile), Panama (Panama), Munich - Baijeri (Saksa), Madrid - Madrid (Espanja)
TyölupaEuropean Union, United States
Ota yhteyttä
Vaihtoehtoiset yhteystiedot:
Taidot
Kielet espanja (äidinkieli), englanti (sujuvasti), englanti - amerikkalainen (sujuvasti), englanti - brittiläinen (perusteet), italia (perusteet), saksa (perusteet)
Murteet Southern - American (Syntyperäinen murre), Standard American (sujuvasti)
Aksentit Espanja (Natiivi aksentti), Etelä-Amerikkalainen (Natiivi aksentti), Karibia (Natiivi aksentti), Latinalaisamerikkalainen (Natiivi aksentti), English (erittäin hyvä), Meksikolainen (erittäin hyvä), American (hyvä), Argentiina (hyvä)
Tanssi Bachata (erittäin hyvä), Butoh (Japani) (erittäin hyvä), Koreografia (erittäin hyvä), Latinalaisamerikkalainen tanssi (erittäin hyvä), Merengue (erittäin hyvä), Salsa (erittäin hyvä), Tanssi-improvisaatio (erittäin hyvä), Tanssiharjoittelu (erittäin hyvä), Tanssiteatteri (erittäin hyvä), Afrikkalainen tanssi (nyky) (hyvä), Afrikkalainen tanssi (perinteinen) (hyvä), Afro (hyvä), Baletti (hyvä), Cha Cha Cha (hyvä), Dancehall (hyvä), Disco (hyvä), Forró (hyvä), Freestyle (hyvä), Rumba (hyvä), Capoeira (perusteet), Katutanssi (perusteet), Samba (perusteet), Swing-tanssi (perusteet), Urbaani tanssi (perusteet)
Äänenkorkeus / dubbaus Baritoni
Soittimet Cajón (erittäin hyvä), Afrikkalaiset rummut (hyvä), Huilu (hyvä), Lyömäsoittimet (hyvä), Bongot (perusteet), Charango (perusteet), Kitara (perusteet), Rummut (perusteet)
Urheilu Aerobic (erittäin hyvä), Biljardi (erittäin hyvä), Jooga (erittäin hyvä), Karate (erittäin hyvä), Tai Chi (erittäin hyvä), Tai Chi Chuan (erittäin hyvä), Uinti (erittäin hyvä), Kamppailulajit (hyvä), Keilailu (hyvä), Koripallo (hyvä), Koskenlasku (hyvä), Lenkkeily (hyvä), Lentopallo (hyvä), Maastopyöräily (hyvä), Miekkailu (hyvä), Moottoripyöräily (hyvä), Nyrkkeily (hyvä), Pilates (hyvä), Pyöräily (hyvä), Vesihiihto (hyvä), DL - Defense Lab / DNA Fight Science System (perusteet), Fitness/kuntosali (perusteet), Kajakki (perusteet), Luistelu (perusteet), Painot (perusteet), Pöytätennis (perusteet), Tennis (perusteet)
Ajokortit Henkilöauto
Muut taidot Tanssinopettaja
Ulkonäkö
Kameraikä 37 - 47
Piitus 185 cm
Ruumiinrakenne Athletic-urheilullinen
Paino 80 kg
Silmien väri ruskea
Hiusten väri ruskea
Kampaus keskipitkä kihara
Parta/viikset Parta
Twin Ei
Etniset tyypit Latino / Hispanilainen, Monietninen
Tatuointi Kyllä, ei näkyvissä
Lävistykset Ei ole
Lasit Ei
Arvet Ei ole
Koulutus
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
CV Kohokohdat CV - Televisio & suoratoisto CV - Elokuva CV - Teatteri CV - Mainokset CV - Muut
Kohokohdat
2001 - 2004
Andres Garcia
Ohjaus
Ensemblen jäsen
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
Monologi
Draama, Monologi
Malucha Pinto
Ohjaus
Päärooli
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Ohjaus
Sivurooli
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Ohjaus
Sivurooli
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Ohjaus
Päärooli
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Ohjaus
Juan José
Päärooli
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Ohjaus
Lina
Jatkuva päärooli
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Ohjaus
Päärooli
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Ohjaus
Ivanov
Päärooli
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Ohjaus
jatku rooli
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Ohjaus
Armando
Sivurooli
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
Lyhytelokuva
Antonia Renard
Ohjaus
Josué
Päärooli
CV - Televisio & suoratoisto
2019
Nicolás Acuña
Ohjaus
Antonio
Rooli jaksossa
CV - Elokuva
2026
Matthias Glasner
Ohjaus
Aguti
Sivurooli
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
Lyhytelokuva
Antonia Renard
Ohjaus
Josué
Päärooli
2019
Gonzalo Diaz
Ohjaus
Armando
Sivurooli
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV - Teatteri
2016 - 2017
Mi Abuelo Horacio
Monologi
Draama, Monologi
Malucha Pinto
Ohjaus
Päärooli
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Ohjaus
Sivurooli
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Ohjaus
Sivurooli
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Ohjaus
Päärooli
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Ohjaus
Juan José
Päärooli
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Ohjaus
Lina
Jatkuva päärooli
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Ohjaus
Päärooli
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Ohjaus
Ivanov
Päärooli
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Ohjaus
jatku rooli
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Ohjaus
Ensemblen jäsen
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
